"That was the biggest technical challenge," he says. But it's impossible to get a film crew inside such cramped quarters, so production designer Andrew Menzies created a separate set for shots inside the Fury's belly. The film crew used three different tanks for the movie, including the real thing: a late-war Sherman with a 76mm gun on loan from the Bovington Tank Museum in England. The Fury acts as the nexus of the action, and the filmmakers devised some clever ways to bring moviegoers inside the vehicle's dank, oily, creaking, sometimes blood-splattered war machine. It's raw, hair-trigger, R-rated fare, interspersed with intriguing moments in which the characters struggle to cling to shreds of their humanity.Īnd for people who geek out on the machinery of World War II, there's another compelling reason to see this movie: the namesake tank. The film is set in Germany in April 1945, as the Allies summon a final push to dispatch Hitler. 17, contains many familiar conventions of war movies: the flinty, seen-it-all field leader (Brad Pitt), the saucer-eyed rookie (Logan Lerman), and the battle-scarred unit whose members scuffle and insult each other but circle the wagons for the against-all-odds climax. Fury, the new film from David Ayer that debuts today, Oct.
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